Japanese Noise Project

Masaya Nakahara will perform with a multi-speaker arrangement for four hours, as listed. Nakahara will team up with Yoshio Kuge of Flying Rhythms and Atsuhiro Ito of Optrum, certainly no stranger to this blog.

Here is what you need to know:
Venue: Super Deluxe
Time: opens at 17:00, starts at 17:30
Price: 2500円

Reservations are currently being accepted for a solo performance at the Hara Museum of Contemporary Art. Ito will perform in The Hall, a uniquely shaped space rarely opened to performances to be followed by a talk by the artist. For those who may not know, Ito also makes time to work as a university professor of sound art, theory and approach; one of the many reasons why I always enjoy our interviews.

Information:
Sunday, September 13th in the Museum's Hall at 6:30 PM (doors at 6:00).
￥3000 for General Admission, ￥2,500 for Museum Members (with a guest).
Includes one drink and admission to the ongoing exhibition (so you can check it before the performance).
Reserve via telephone at 03-3445-0669 or info (at) haramuseum.co.jp

Atsuhiro Ito will collaborate with Minoru Sato for an evening entitled Instrumentalize09: Fluorescent night. Sato's research and creative activities are explored in the form of installations, performances and written text all in addition to which he is producing sound and more music-oriented works under the name S.A.S.W. Atsuhiro Ito's sound tool, the optron, should prove an adept combo with Sato's more installation-based style and orchestra of self-made instruments. Although, from what I gather they will performing as a fluorescent tube duo.

The less we know, the more we can expect.

Details:
Opens at 18:30, starts at 19:00 and costs 1,500 Yen (including 1 drink) at Gift Lab.

Thanks.

We're finally back in town and back on the beat. Just got through a few days of shooting with Atsuhiro Ito and Hiroshi Hasegawa, who's first time ever collaboration we were excited to catch. Now we're just in time to catch Hisham's jam with EYE tonight. The two perform under the name Gatax and are averaging about one performance every two years.

This is a super quick update so please check the link below for more info on the show tonight (yes, tonight- excuse the last minute post) as well as the exhibit which Hisham is curating featuring some of our friends and favorite artists like Zach Hill, Brian Degraw, Bjorn Copeland, EYE and the list goes on.

http://www.n0idea.com/vacant/menu.html

New videos and interviews to be posted soon, still getting through hours of footage.

Thanks.

While The Boredoms are preparing for a series of performances this summer and fall, EYE has also been busy getting together a set of new artworks for an exhibition at one of our favorite galleries, The Magical Artroom in Ebisu, Tokyo.

Upon entering the reception at the opening party, I was surprised to see the primary medium EYE had utilized for these works- car hoods. Catching up with EYE, the story goes that he was driving his car on the winding roads of Nara and had a bit of an accident. When the estimate made it clear the the car would be too expensive to repair, EYE had set the abandoned car hood on the side of his house. Eventually weeds and other plant life began to grow up alongside the crumpled surface and created a series of lines at which point EYE decided to take the hood indoors and draw his own lines, swirls and segments. After completing a landscape-themed image rendered by thin lines in an array of bright colors, EYE's excitement led the artist to purchase a few more hoods via Yahoo auctions. While at the opening reception, Sebastian and I had fun catching up with EYE and talked about The Boredoms upcoming performance on a cruise ship for 3 nights with Gang Gang Dance, Zach Hill and Goma in addition to a long list of other DJs and VJs.

The title of this exhibition, taken from the words “Art Coming Soon,” hinges on the idea that the works presented here are in progress. In progress because they were and are constantly formed, and reformed. These intensely visual expressions are a collage from the sounds, lines and everyday objects the artist has encountered in his somewhat prolific history. In the basement of the NADiff bookstore is a smaller exhibition of vinyl records and other music-related visual media EYE has chosen to create and recreate through a pop-charged mash up of realia. All of the records on the wall are for sale via a priced scale and can also be listened to for your visual and audio pleasure (This text adapted from my blog post at Shift).

Here are the details of the exhibit:
EYE Yamataka “& Co Soon” at Magical Artroom
Date: June 21st - July 18th, 2009
Open: 12:00-20:00, Closed on Sunday, Monday and Public Holidays
Place: magical, ARTROOM at Nadiff
Address: NADiff A/P/A/R/T 3F 1-18-4, Ebisu, Shibuya-ku, Tokyo, 150-0013
Tel : 03-3445-8988
Admission: Free!

Otomo Yoshihide's ongoing work Ensembles, a large-scale musical exhibition held last year at the YCAM InterLab in Eastern Japan, comes to Tokyo for a short string of performances. The credo of discovering and utilizing new, or 'found,' sounds in composition remains at the core as Yoshihide continues working to "create a variety of musical devices in all sorts of places."

I'll continue on by extracting a lengthy quote from the Ensembles Manifesto:

The life-changing fascination with music that came over me in my teens was rooted in the discovery that new and unfamiliar sounds could cause a reaction among a large number of people gathered in one place. All of the music I loved--free jazz, free improvisation, noise, alternative--had this kind of effect. The fascination was not only with the music itself, but also with the feeling of total unity that came from the aura and power of the space and the gravitational pull existing among the people who were there. I wanted to get away from the kind of music that leaves no distance between sound source and eardrums; I wanted to bring back space and noise. I wondered what would happen if I tried to make music not just for individual listening, but music that emerged as it passed through the ears, hands and bodies of many people. This is how ENSEMBLES got started.

Its entitled ENSEMBLES, in the plural form, for the reason that Yoshihide envisioned an aggregate of works that were intertwined both in implication and development- something multilayered. With intentions less aligned as a single event but rather more in the direction of being plural and integral; which for Yoshihide means sometimes happening simultaneously or sometimes unfolding at a more comfortable pace yet leaving room for inconsistency and contradiction.

Referring back to the Ensembles Manifesto, Yoshihide continues:

For now, the idea is that between July and October, in a variety of venues, we'll present a wide range of new and previously existing works, performances, etc.--from very small to medium-sized events and from nearly individual creations to works involving many people-- that unfold semi-improvisationally at times, guerrilla-style at others. The plan itself is not fixed; my intention is to develop something that will adapt flexibly to each situation, something that could not be realized in an established art museum or concert hall. What's more, based on the results this time, I'm hoping to continue ENSEMBLES next year, the year after that, and into the future. It will be a challenge, but I'm sure it will be interesting.

For now, here are details of the coming Tokyo performance:

Otomo Yoshihide ＋ Yasutomo Aoyama ＋ Takayuki Ito/YCAM InterLab ＋ Masayoshi Takada ＋α

Date:　7.4(Sat)-8.9(Sun)　13:00-20:00
Place:　Vacant　(3-20-13 Jingumae Shibuya-ku, Tokyo/ 03-6459-2962)
Admission:　￥500 / ￥1,000 (with DVD!)
Organized by:　N0 IDEA, ENSEMBLES Committee
Supported by:　Fostex Company, Shiseido Co., Ltd.
Cooperated by:　Yamaguchi Center for Arts and Media[YCAM]
Technical Supported by:　YCAM InterLab

There are also a few events scheduled around so here is a rundown of more happenings:

Sunday July 5th brings the opening event with live sets by:
DJ トランキライザ (Tranquilizer), Aoyama Yasutomo+Otomo Yoshihide, Mori Yuko, Sachiko M and two others whose names I couldn't make out.

Sunday August 2nd features a talk event held with Otomo Yoshihide and Guest(s).

Sunday August 9th there is a closing event with a performance by Otomo Yoshihide and α which opens at 18:30 and starts at 19:00.

Last Wednesday brought a visit to PSF Records where Hideo Ikeezumi has been running his PSF shop and label HQ for about 30 years. Set in an inconspicuous apartment in central-west Tokyo, the shop is packed full of releases from the Japanese psychedelic and avant-garde underground; some in limited quantities and unfortunately out of print for good. Amidst the digging and 360-head scans of the room, we were even lucky enough to find an originally packaged, Incapacitants cassette tape from their earlier days among other treasures. So as a somewhat historical vault full of stories, renowned passersby and seeing Ikeezumi as one of the essential historical figures in this story, we were more than happy to land the chance to have an interview.





While at PSF, we had a great conversation which extended from historical themes, personal anecdotes, future plans even to simple thumbs-up-thumbs-down or to-stock-or-not-to-stock ratings as we chatted through the years and perused the shelves of releases (top shelf being reserved for his favorites). I also picked up a back issue of G-Modern, the psychedelic, avant-garde, underground magazine which Ikeezumi edits, which features an over ten page interview with Keiji Haino. To add, I also came away with a live recording of Takayanagi Masayuki, New Direction / Call In Question which Ikeezumi straight pushed on me and told me I needed to hear.

Photos: Cameron Mckean, more on our flickr.

DeNoise turned out to be a rather busy evening for us but thought I'd go ahead and post two photos from the show. We came away with some great interviews. A kind thank you to Satomi Ito for lending us photos from her Flickr. There are plenty more photos there.

Astro collaborated with Kuruu Crew taking up synth and eventually nomadic vocal duties.



The Inpacacitants gravity was in effect with the tight circle that enclosed them immediately upon starting.



Thanks.

Last night, popped by the opening of a new space, Vacant, where film critic Masaya Nakahara aka Hair Stylistics (formerly Violent Onsen Geisha) was and will be screening selected films. Titled "Masaya Nakahara's Room," I believe its an on going series of screenings based on our brief conversation last night. I didn't get a chance to ask him what will be showing but we bookmarked an interview for the future and he was more than kind of enough to pass me a disc of some unreleased stuff from his previously finished subscription series of releases- can't wait to pop it in the player.

A few details of whats going this Golden week at Vacant:

May 4th -- Live
Yoshihide Otomo x Seiichi Yamamoto
Open 18:30/ Start 19:00 (schedule may change)
Fee: ¥2500 (advance), ¥3000 (same-day) + 1 drink

May 5th -- Live & DJ
Oorutaichi with YTAMO (from Urichipangoon), Takuma Watanabe x Muneomi Senju x Special Guest, Eiko Ishibashi with Muneomi Senju, Mao Yamasaki (Akichi Records)
Open 15:30/ Starrt 16:00
Fee: ¥2500 (advance), ¥3000 (same-day) + 1 drink

May 6th -- Live & Performance
Hasro & Bokka, Jun Takahashi x Kan Takagi x Fuyuki Yamakawa x Atsuhiro Ito
Open 17:30/ Start 18:00
Fee: ¥3500 (advance), ¥4000 (same-day) + 1 drink

Full info at Tokyo Art Beat:
Vacant Opening Event "Wrong Dance, Right Steps"
Venue: Vacant
Schedule: From 2009-05-01 To 2009-05-06

This Wednesday, we'll be heading out in full force to continue our chat with Atsuhiro Ito (Optrum) and Hiroshi Hasegawa in addition to capturing The Incapacitants' performance. Likely to be a rambunctuous evening full of (some first time) collaborations, performing live are:
Melt-Banana Lite
Kuruucrew + ASTRO
OFFSEASON (Atsuhiro Ito+HIKO+Kuropipe Stardust)
MARUOSA
Overload Collapse (Nicolas Fasnacht & Nikola Mounoud from Switzerland)
Evil Moisture (a.k.a Andy Bolus from Paris, France)
TOKAGE (Yann Grivet from Switzerland).

Opens at 17:00, starts at 17:30. All the above for 2800円 (advance) or 3300円 (plus drink) at the door.